Kate Schuricht, ceramic artist

Naomi Jones finds out what inspires the distinctive work of ceramic artist Kate Schuricht.

What compels you to create?
The change of season always brings a burst of creativity, especially spring and autumn with the dramatic colour changes that occur at these times.

Did you study to become a ceramic artist?
Yes, I did a Foundation in Art & Design at Middlesex University, then a degree in 3D Design at the University of Brighton.

Which methods do you use to make your vessels?
Slip casting to produce the pieces, then raku and stoneware for the glaze firing. Raku is traditionally used to create pieces for the tea making ceremonies in Japan; the workshops I attended there after graduation still influence my work.

Your trip to Japan obviously made a big impact.
It really did: as well as contributing to my style, I met potters and ceramic artists from all over the world there; their passion inspired me to set up my studio straight from college.

ABOVE (left-right): Albite stoneware spherical pots in white and pale grey are priced from £45; a collection of vases including large and small Miel bound stoneware containers with a pale honey glaze.

Is your craft a full-time occupation?
Yes, I’ve reached a stage in my life when I can fully commit to my art; my pieces are sold through galleries, exhibitions, and a craft community website. I also do visiting lectures, and run one-to-one masterclasses and small workshops.

Have you had any unusual commissions?
One client asked me to make a lidded container that could be permanently sealed; within it, she asked me to enclose a personal note and special objects. It was sent to her friend in Australia as a get-well gift and token of hope; I was touched to be involved in such a thoughtful gesture.

ABOVE (left-right): Kate’s studio is a good place to display her vases including some glazed Marina Tall raku vessels; Flow stoneware jugs in various sizes, from £60 each.

Do you have your own studio?
After nearly 10 years working in a group studio in busy central London, I now have a little workshop in my garden in rural Kent.

It sounds very peaceful.
I do some of my best thinking and designing there, away from the distractions of family life.

Who is your biggest fan?
An American client who has been buying from me – and recommending me to others – since I started; and my mother, who has built up her own collection, spotting new developments early on.

... and who do you most admire?
Claudia Lis, with her stunning green celadon pots; Gwyn Hanssen Pigott for her tranquil ceramics; and Mari-Ruth Oda, who makes impressive sculptures inspired by her Japanese heritage and the natural world.

What would you say to encourage others to be more creative?
Taking part in any craft using your hands is a really effective way to relax, unwind and work out your problems: like meditation, it’s a great antidote to modern life.

Kate will be exhibiting at Ceramics in the City in London from 23-25 September (020 7739 9893; geffrye-museum.org.uk). To buy her pieces visit seekandadore.com.

Read about other craftsmen and women...

WORDS NAOMI JONES
Featured in the October 2011 issue of Period Living